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One of the oldest of the planetary martial arts is Shaolin. It was brought from India by a fellow named Bodhidharma, and has been pivotal to martial arts the world over. Interestingly, Shaolin eventually changed into an internal art atop Wudan Mountain.
I know there will be those who disagree with the concept I present here, but I hold to it, as I have watched students evolve, and the evolution of art from Shaolin to Wudan mirrors what I have seen students go through on a personal level. Indeed, as students peel layers off the art, so do they add layers of awareness within themselves, and attain the truly miraculous.
The student new to Shaolin learns to explode energy from the tan tan, to spread that energy throughout his frame and make his body like a rock. Arms become iron windmills, stances attach him permanently to the planet. This, however, is all based on exploding energy within the the body.
As a student progresses through varieties of art he may encounter the concept of absorbing energy. The physical act of guiding a punch, instead of blocking it, mirrors the concept of drawing energy in, instead of just expelling it. This progression of art is often from Shaolin Kung Fu, through the sticky hands of Wing Chun Kung Fu, and, eventually, into the push hands of Wudan Tai Chi Chuan.
If the student studies a hard art, and does so with intelligence, he will eventually evolve into the soft. The fact of growing older, of the body no longer being able to handle the hard arts, will draw the student onward into the softer arts. He will develop his punch so that he doesn't undergo neck injuries, he will learn to use his legs so his hips don'thave problems, and he will naturally evolve his art from hard to soft.
As these progressions of art and age occur, students learn to use their minds and their bodies with less and less effort, and and they are surprised tolearn that the abilities they gained in the hard arts grow even greater. Instead of forcing energy through bodies no longer strong enough to handle it, they guide the energy with less effort, and focus it. Thus, awareness becomes a growing factor, and the blinders come off.
Instead of exploding energy brutally through their bodies, the students learn to guide and manipulate energy within their bodies. They learn to move energy easier and naturally as they become more aware. They learn that the body energy they were so proud of when they were young and robust was only a hint of things to come.
Finally, they make the change from hard to soft, from inner to outer, from internal to external, and the Shaolin adept becomes the Wudan sage. Instead of using violent art, the Wudan master moves with an opponent, drawing in the energy of the attack and transforming as he wishes. Yet, though there is wisdom in the Gung Fu of the Wudan variety, there is no disdain for the hard, for the true sage knows the need for his early Shaolin training, he knows the benefit of understanding energy on hard levels if the student is to make the transition to the softer Wudan intelligence.
I know there will be those who disagree with the concept I present here, but I hold to it, as I have watched students evolve, and the evolution of art from Shaolin to Wudan mirrors what I have seen students go through on a personal level. Indeed, as students peel layers off the art, so do they add layers of awareness within themselves, and attain the truly miraculous.
The student new to Shaolin learns to explode energy from the tan tan, to spread that energy throughout his frame and make his body like a rock. Arms become iron windmills, stances attach him permanently to the planet. This, however, is all based on exploding energy within the the body.
As a student progresses through varieties of art he may encounter the concept of absorbing energy. The physical act of guiding a punch, instead of blocking it, mirrors the concept of drawing energy in, instead of just expelling it. This progression of art is often from Shaolin Kung Fu, through the sticky hands of Wing Chun Kung Fu, and, eventually, into the push hands of Wudan Tai Chi Chuan.
If the student studies a hard art, and does so with intelligence, he will eventually evolve into the soft. The fact of growing older, of the body no longer being able to handle the hard arts, will draw the student onward into the softer arts. He will develop his punch so that he doesn't undergo neck injuries, he will learn to use his legs so his hips don'thave problems, and he will naturally evolve his art from hard to soft.
As these progressions of art and age occur, students learn to use their minds and their bodies with less and less effort, and and they are surprised tolearn that the abilities they gained in the hard arts grow even greater. Instead of forcing energy through bodies no longer strong enough to handle it, they guide the energy with less effort, and focus it. Thus, awareness becomes a growing factor, and the blinders come off.
Instead of exploding energy brutally through their bodies, the students learn to guide and manipulate energy within their bodies. They learn to move energy easier and naturally as they become more aware. They learn that the body energy they were so proud of when they were young and robust was only a hint of things to come.
Finally, they make the change from hard to soft, from inner to outer, from internal to external, and the Shaolin adept becomes the Wudan sage. Instead of using violent art, the Wudan master moves with an opponent, drawing in the energy of the attack and transforming as he wishes. Yet, though there is wisdom in the Gung Fu of the Wudan variety, there is no disdain for the hard, for the true sage knows the need for his early Shaolin training, he knows the benefit of understanding energy on hard levels if the student is to make the transition to the softer Wudan intelligence.
About the Author:
Al Case has researched the martial arts for 4O years, he began his Wudan training in 1974. You can see how soft he is by picking up a free ebook at Monster Martial Arts.
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