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Many of the martial arts, like karate are fiction. Slam somebody on the nose with a palm and bone shards will spear into his brain and kill him, except there isn't any bone in the nose, its all cartilage. And all those old legends, a lot of them are good for washing the hog, if you have a willing hog.
But, there is a certain science in the martial arts that is true. This is the science of geometrical energy potentials. I discovered this field in a series of books called the Lensmen Series.
I suppose the first time it hit me was when E. E. Smith, the author, described spacemen fighting a wild battle on the hull of a space ship. The spacers were hooking their feet under hand grips so they would not fly off into space when they struck somebody. They were anchoring themselves so they could apply force, and not have that very same force act against them.
Soon I was swallowed by a universe where weapons created incredible geometries of force. A death ray was a beam, and it could be deflected by a well built shield. And if a shield could deflect, then a shield thrust sideways could slice the first shield apart.
Soon I was enraptured by images of fleets of space ships creating their own particular brand of strategy. Fleets of space ships would form globes around other fleets, and cones of spaceships would swallow globes of fleets. Each time a geometry was described, my mind struggled to keep up with the wash of new concepts.
Then, shock of shocks, fleets of spaceships gave way to the exercising of mental powers. Those same rods and globes and cones and shields, made real in the extreme of space combat, became the stuff of minds battling minds. How do you slide your awareness through the grid of another mentality, especially when that mentality is utterly alien?
And, ultimately, done with the books, I began extending these outer space alien mind combat strategies to the martial arts. I sank my weight and planted my stance so I would not fly back from my own force. I described cones with my arms, and engulfed globular fists as they flew out of space at me.
When I tell people about what has inspired me they generally think I am a bit crazy, or they realize I am a genius. Reading sci fi for inspiration in the martial arts, who would have thought? Yet, it is all art, and should not art be filled with creativity and expression and beams of force and mind to mind conflicts?
But, there is a certain science in the martial arts that is true. This is the science of geometrical energy potentials. I discovered this field in a series of books called the Lensmen Series.
I suppose the first time it hit me was when E. E. Smith, the author, described spacemen fighting a wild battle on the hull of a space ship. The spacers were hooking their feet under hand grips so they would not fly off into space when they struck somebody. They were anchoring themselves so they could apply force, and not have that very same force act against them.
Soon I was swallowed by a universe where weapons created incredible geometries of force. A death ray was a beam, and it could be deflected by a well built shield. And if a shield could deflect, then a shield thrust sideways could slice the first shield apart.
Soon I was enraptured by images of fleets of space ships creating their own particular brand of strategy. Fleets of space ships would form globes around other fleets, and cones of spaceships would swallow globes of fleets. Each time a geometry was described, my mind struggled to keep up with the wash of new concepts.
Then, shock of shocks, fleets of spaceships gave way to the exercising of mental powers. Those same rods and globes and cones and shields, made real in the extreme of space combat, became the stuff of minds battling minds. How do you slide your awareness through the grid of another mentality, especially when that mentality is utterly alien?
And, ultimately, done with the books, I began extending these outer space alien mind combat strategies to the martial arts. I sank my weight and planted my stance so I would not fly back from my own force. I described cones with my arms, and engulfed globular fists as they flew out of space at me.
When I tell people about what has inspired me they generally think I am a bit crazy, or they realize I am a genius. Reading sci fi for inspiration in the martial arts, who would have thought? Yet, it is all art, and should not art be filled with creativity and expression and beams of force and mind to mind conflicts?
About the Author:
Al Case has examined martial arts for 40+ years. A writer for the magazines, he is the creator of Matrixing Technology. You can find out about Matrixing by getting his free ebook at Monster Martial Arts.
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