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Oftentimes when you are trying to persuade someone it is like you are pitching suggestions to them. But, just as in the game of baseball, some of your pitches may be dangerous or obvious to your targets defenses. It is these type of suggestions that require you to put a "spin" on them in order to insure that your target will not have the room to resist them.
"Spins" can be delivered in a variety of ways: You may sets frames at the starting points of conversations so that your target will be more vulnerable to the suggestions you are giving them as you continue with the conversation, or these "spins" can serve as a diversion after your suggestions so that there is a distraction. Therefore the power of "spins" is rooted in the distraction methods that are talked about in the disguised forms of hypnosis.
Let's say, for example, that you write a poem to someone that is full of romantic suggestions. Now, as this person reads the poem, they have no choice but to mentally process everything you suggest in the poetry, but if the poetry is somewhat risky, you can put a spin on it that will ensure your safety. This "spin" is part of "the insurance game" that is so often praised in the disguised forms of hypnosis.
After the person is forced to mentally process your suggestions as a result of your poem, you can include an additional paragraph that informs them that this poem was once written by one of your friends to someone whom they had a sizzling relationship with. You can proceed to stack the "spin" with extra hypnotic suggestions that links the person who reads the poem to the person whom your friend originally wrote the poem to in the first place.
The goal of the spin is to get you off the hook should any objections arise to the suggestions that you loaded into the poetry. If, for example, the person would get uncomfortable with what you said, you can easily remind them that you were only telling them of something your friend once wrote. This "spin" will not only guarantee that the person whom you are writing to be comfortable with experiencing the emotions that are loaded into the poetry, but also that they cannot object to anything that you are saying.
"Hypnotic Spins" can also be used to introduce an entirely different topic after the initial suggestions of the poem. So, a distraction strategy is initiated that gives the person reading the poem something else to respond to should they feel uncomfortable with anything you have said. But it doesn't even matter if they felt uncomfortable, because they still must process everything you have said--and this is where the secret arts of mind control come in.
So, your target has the choice to respond to the "spin" and not the romantic poem--even though they mentally processed and experienced the poem nonetheless.
"Spins" can be delivered in a variety of ways: You may sets frames at the starting points of conversations so that your target will be more vulnerable to the suggestions you are giving them as you continue with the conversation, or these "spins" can serve as a diversion after your suggestions so that there is a distraction. Therefore the power of "spins" is rooted in the distraction methods that are talked about in the disguised forms of hypnosis.
Let's say, for example, that you write a poem to someone that is full of romantic suggestions. Now, as this person reads the poem, they have no choice but to mentally process everything you suggest in the poetry, but if the poetry is somewhat risky, you can put a spin on it that will ensure your safety. This "spin" is part of "the insurance game" that is so often praised in the disguised forms of hypnosis.
After the person is forced to mentally process your suggestions as a result of your poem, you can include an additional paragraph that informs them that this poem was once written by one of your friends to someone whom they had a sizzling relationship with. You can proceed to stack the "spin" with extra hypnotic suggestions that links the person who reads the poem to the person whom your friend originally wrote the poem to in the first place.
The goal of the spin is to get you off the hook should any objections arise to the suggestions that you loaded into the poetry. If, for example, the person would get uncomfortable with what you said, you can easily remind them that you were only telling them of something your friend once wrote. This "spin" will not only guarantee that the person whom you are writing to be comfortable with experiencing the emotions that are loaded into the poetry, but also that they cannot object to anything that you are saying.
"Hypnotic Spins" can also be used to introduce an entirely different topic after the initial suggestions of the poem. So, a distraction strategy is initiated that gives the person reading the poem something else to respond to should they feel uncomfortable with anything you have said. But it doesn't even matter if they felt uncomfortable, because they still must process everything you have said--and this is where the secret arts of mind control come in.
So, your target has the choice to respond to the "spin" and not the romantic poem--even though they mentally processed and experienced the poem nonetheless.
About the Author:
Hypnosis is a lost art that is thousands of years old. The types ofmind control hypnosis are usually disguised and do not consist of volunteers. For this reason Disguised Hypnosis is the preferred form of hypnotic mind control available in that it is the most ancient form of hypnosis that uses human behavior patternsas a means of crisis management.
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